Girls Made of Snow and Glass ★★☆☆☆

34932579I had hoped, more than anything, that I would love Girls Made of Snow and Glass. I was promised a feminist f/f fairy tale retelling, but all I got was a slow, dull book where the LGBT+ themes took a backseat to…whatever the hell was happening.

I really really wanted to like this book. But I had to DNF it, which I always hate doing.

Frozen meets The Bloody Chamber in this feminist fantasy retelling of the Snow White fairytale as you’ve never heard it before, tracing the relationship of two young women doomed to be rivals from the start: the beautiful princess and stepmother queen.

At sixteen, Mina’s mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone—has never beat at all, in fact, but she’d always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king’s heart with her beauty, become queen, and finally know love. The only catch is that she’ll have to become a stepmother.

Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen’s image, at her father’s order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do—and who to be—to win back the only mother she’s ever known…or else defeat her once and for all.

Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story.

I thought the concept was awesome: a girl made of snow, and a woman with a glass heart. It was what initially pulled me to hit the ‘request’ button. But the alternating POVs with the time hopping (where Lynet’s POV was in the present, while Mina’s chapters were her backstory and leading up to her becoming the Queen) made it just a headache and a half.

It was part of the reason why it felt so agonizingly slow; by the time I finished a chapter and was properly attuned to that character, we changed timelines and everything was different. I had to remember what was going on in that timeline, who knew what and such and it was too much of a hassle. The intertwining of the past and present just flat out didn’t work.

As a result, I wasn’t connected to either character and had no desire to keep reading. I had to DNF it at a third of the way through the story, which is a shame, but I’ve learned a lot through book blogging: if I have to force my way through a book, then that book isn’t going to be enjoyable for me.

Waiting on Wednesday #8

A Reaper at the Gates

Publication Date: April 10th, 2018

Pre-order it here!

30809786Beyond the Empire and within it, the threat of war looms ever larger.

The Blood Shrike, Helene Aquilla, is assailed on all sides. Emperor Marcus, haunted by his past, grows increasingly unstable, while the Commandant capitalizes on his madness to bolster her own power. As Helene searches for a way to hold back the approaching darkness, her sister’s life and the lives of all those in the Empire hang in the balance.

Far to the east, Laia of Serra knows the fate of the world lies not in the machinations of the Martial court, but in stopping the Nightbringer. But while hunting for a way to bring him down, Laia faces unexpected threats from those she hoped would aid her, and is drawn into a battle she never thought she’d have to fight.

And in the land between the living and the dead, Elias Veturius has given up his freedom to serve as Soul Catcher. But in doing so, he has vowed himself to an ancient power that will stop at nothing to ensure Elias’s devotion—even at the cost of his humanity.

I’m gonna say it too: I’m not a fan of changing covers halfway through a series. I like my set to match. (Ignore the fact that my HP set doesn’t match. I was young and abroad when 4 and 7 were published, so I have UK covers)

But that is the only issue I have, my own perfectionism. That being said. I LOVE THE COVERS. I love that Laia and Elias and Helene are front and center, I love that these characters of color are presented on the covers now, especially because we need to keep pushing for diversity and representation.

Also if Ember and Torch tortured me, I can’t wait for Reaper at the Gates to flat out murder me.

Mask of Shadows – ★★★★☆

29960675Pre-order it here!

Mysterious and tense, Mask of Shadows delivered on almost every promise it had given. I was pulled in by the characters and Linsey Miller’s writing was thrilling and poetic. Plus the representation of genderfluid and other queer identities was everything that fantasy books have been missing. And yet…

I Needed to Win.
They Needed to Die.

Sallot Leon is a thief, and a good one at that. But gender fluid Sal wants nothing more than to escape the drudgery of life as a highway robber and get closer to the upper-class—and the nobles who destroyed their home.

When Sal steals a flyer for an audition to become a member of The Left Hand—the Queen’s personal assassins, named after the rings she wears—Sal jumps at the chance to infiltrate the court and get revenge.

But the audition is a fight to the death filled with clever circus acrobats, lethal apothecaries, and vicious ex-soldiers. A childhood as a common criminal hardly prepared Sal for the trials. And as Sal succeeds in the competition, and wins the heart of Elise, an intriguing scribe at court, they start to dream of a new life and a different future, but one that Sal can have only if they survive.

The moment I heard that Mask of Shadows had a genderfluid main character, I knew I needed to get my hands on it, whether for reviewing purposes or just pre-ordering it to have and to hold. Then when I learned Mask of Shadows was a fantasy assassin fight to the death story, I was already in love.

Fantasy is a genre close to my heart, one I’ve always loved, but the lack of representation and diverse characters is glaring. In a world where magic and dragons are real, why shouldn’t there be queer characters? Why is a queer main character so unbelievable? Well, that’s a discussion for another blog topic.

I had some hesitations about Mask of Shadows, in that Sal would have been the only queer character and that the book would have used their identity as a marketing ploy; it wouldn’t be the first time books or movies have tried to garner queer readers, simply because we were starved for representation. But in reading, all my hesitations were thrown out the window at how well the representation was handled.

Sal was never only identified by their genderfluidity; they were a thief and an assassin first, a fierce competitor, clever and flirtatious and had terrible aim. The subject of pronouns was brought up, showing how natural asking or presenting pronouns should be, something we in our modern day world can’t seem to handle. Characters asked, “How should I address you?” and when characters that didn’t respect Sal’s pronouns tried to misgender them, that character was corrected (or punched in the mouth, depending on which character was doing the correcting).

Miller’s writing was lyrical and bright in many places, but sometimes I found certain passages confusing and ended up having to read over those several times. It was never enough to throw me out of the story, but it did slow me down. The only reason I can’t give Mask of Shadows five stars is because of the worldbuilding. The little worldbuilding we got left me wanting more, a little confused and sometimes frustrated.

We get a timeline of the history of the world towards the end of the book, but what I would have loved the most is having a map. A fantasy world is hardly complete without a map for readers to peruse and explore, or to reference when it’s brought up in the story. Especially since Mask of Shadows was rife with politics, a map would have been crucial to have. Barring a map, then there could have been better descriptions regarding the nations and the state of the world around the characters. Miller does a fantastic job of painting an intriguing character, but the setting often felt like a vignette: detailed the closer we were to the character, but fuzzy and empty the further away we got.

Mask of Shadows was still an entertaining read and one I think I’ll come back to again and again. If more fantasy books had the representation this one did, I think we queers would be alright.

Witchtown ★★★☆☆

30971734A mother-daughter witch duo that pulls heists as they travel across the continent seems like it would have been exciting, magical and engrossing. Instead, Witchtown was slow, vague and a bit of a let down.

When sixteen-year-old Macie O’Sullivan and her masterfully manipulative mother Aubra arrive at the gates of Witchtown—the most famous and mysterious witch-only haven in the world—they have one goal in mind: to rob it for all it’s worth.

But that plan derails when Macie and Aubra start to dig deeper into Witchtown’s history and uncover that there is more to the quirky haven than meets the eye.

Exploring the haven by herself, Macie finds that secrets are worth more than money in Witchtown.

Secrets have their own power.

That blurb alone made Witchtown, the haven Macie and her mother arrive in, sound like it was going to be creepy or deadly or something more than the dusty, plain small town it ended up being. Witchtown promised a lot but my expectations sort of fell immediately when the opening to the book started with a history lesson that toed a lot of lines, particularly when it referenced a massive systematic oppression that hearkened to a lot of what we’re seeing both today, regarding queer people and people of color, and what we’ve seen in the past, like in the times of Nazi Germany or the colonization of America and the subsequent, and still going, oppression of Indigenous peoples.

There’s a lot to unpack that wasn’t even mentioned in the first few pages of the book, and we haven’t even met our main character yet.

It took me a long, long time to get into the book. Call it what you will: a slow and boring start, a main character I wasn’t interested in, lackluster worldbuilding; but I just couldn’t bring myself to care about Macie or the story until I was halfway through the book.

This isn’t to say that I didn’t like WitchtownIt was a decent book, but it felt all over the place, tied through several unfinished and unexplored subplots, rather than one main thread.

I had expected a heist story, but that fell through almost immediately. Then I expected a mystery, where Macie tried to find out what was causing all the accidents and attacks. Then I expected Macie to start coming into her own power, but that never happened until the literal last few pages.

So little is actually explained and we’re only given poor vague reflections to try and orient ourselves. Not to mention that the town is so lackluster, I only imagine the town square and then a void surrounding it all. This is a town that’s supposed to be full of nothing but witches, it’s supposed to be quirky and different and full of people who come together as refugees from the outside world of non-witches, but it’s so boring.

Throw in a creepy, lying Prince Charming looking love interest and you have Witchtown.

If the story was really about Macie breaking from her mother’s heists to be with her new found friends, I might have liked it more. But it felt like a mishmash of different ideas hastily tied up that just sort of falls apart if you look at it too long.

I wanted to love Witchtown. I love magic and witches and twists and fun quirky towns. But it had so little of that, that I’m not quite sure what to call it. My favorite, though, definitely not.

Witchtown publishes July 18th, 2017. Pre-order it here!

The Best Kind of Magic ★★★½☆☆

25436641.jpgA cute premise with great potential that was squandered by a forgettable character voice and boring writing.

Amber Sand is not a witch. The Sand family Wicca gene somehow leapfrogged over her. But she did get one highly specific magical talent: she can see true love. As a matchmaker, Amber’s pretty far down the sorcery food chain (even birthday party magicians rank higher), but after five seconds of eye contact, she can envision anyone’s soul mate.

Amber works at her mother’s magic shop–Windy City Magic–in downtown Chicago, and she’s confident she’s seen every kind of happy ending there is: except for one–her own. (The Fates are tricky jerks that way.) So when Charlie Blitzman, the mayor’s son and most-desired boy in school, comes to her for help finding his father’s missing girlfriend, she’s distressed to find herself falling for him. Because while she can’t see her own match, she can see his–and it’s not Amber. How can she, an honest peddler of true love, pursue a boy she knows full well isn’t her match?

The Best Kind of Magic is set in urban Chicago and will appeal to readers who long for magic in the real world. With a sharp-witted and sassy heroine, a quirky cast of mystical beings, and a heady dose of adventure, this novel will have you laughing out loud and questioning your belief in happy endings.

A lot about this world is never clear from the start, including many key points about our protagonist. Her voice fluctuates from sounding like a 13 year old to a 16 year old, I never get a clear picture of her—and in fact only find out she had funky colored hair about a third of the way through the book—and her slang is outdated. In fact, it goes from Amber saying “amazeballs” to saying “gag me”.

There’s a lot of overcorrection and inconsistencies in the narrative, which not only means it’s annoying to the reader but also confusing. It feels like a waste of my time if the character spends a paragraph going “Well, actually…”. On multiple occasions, Amber mentions that not a lot of people know about magic or the magical underworld of Chicago, and yet a majority of her high school population is some brand of fey or troll or magical being.

I wasn’t invested in the story or even interested in really finding out what happens to the characters until nearly half way through the book. As a matter of fact, I was bored through most of it.

And even worse, the climax felt cheap as the threat never threatening at all. The one redeeming quality of the finale was Kim, as that would have been the only reason I would continue to read the story.

All in all, I didn’t love it and I didn’t hate it, and I was more intrigued by the concept than the actual story. Amber’s voice irritated me and I didn’t quite root for her during the story. I would read book 2, but I wouldn’t buy it.

Buy it here!

Blood Rose Rebellion ★★☆☆☆

31020402.jpgIt’s no lie that I’m a lover of all things fantasy; give me a book about magic and I’ll instantly add it to my TBR pile. But sometimes, among the diamonds, I’ll just find shiny bits of broken glass. And Blood Rose Rebellion certainly falls into the “glass” territory.

The thrilling first book in a YA fantasy trilogy for fans of Red Queen. In a world where social prestige derives from a trifecta of blood, money, and magic, one girl has the ability to break the spell that holds the social order in place.

Sixteen-year-old Anna Arden is barred from society by a defect of blood. Though her family is part of the Luminate, powerful users of magic, she is Barren, unable to perform the simplest spells. Anna would do anything to belong. But her fate takes another course when, after inadvertently breaking her sister’s debutante spell—an important chance for a highborn young woman to show her prowess with magic—Anna finds herself exiled to her family’s once powerful but now crumbling native Hungary.

Her life might well be over.

In Hungary, Anna discovers that nothing is quite as it seems. Not the people around her, from her aloof cousin Noémi to the fierce and handsome Romani Gábor. Not the society she’s known all her life, for discontent with the Luminate is sweeping the land. And not her lack of magic. Isolated from the only world she cares about, Anna still can’t seem to stop herself from breaking spells.

As rebellion spreads across the region, Anna’s unique ability becomes the catalyst everyone is seeking. In the company of nobles, revolutionaries, and Romanies, Anna must choose: deny her unique power and cling to the life she’s always wanted, or embrace her ability and change that world forever.

Magic that stems from your blood, a revolution sparking across Europe and a setting in an eastern European country? That’s ticking off so many boxes for me. I always love seeing fantasy books set in eastern Europe, which is what drew me to books like Blood Rose Rebellion and the Shadow and Bone series.

But Blood Rose Rebellion was agonizingly slow and I just couldn’t bring myself to finish it. Y’all know I hate DNF’ing a book. I like to give the story the benefit of the doubt and at least try to finish it, just to see if it got better in the end. I just couldn’t keep going with this.

Anna has the power to break spells, but it takes her way too long to realize this power even though it’s immediately obvious. There’s supposed to be a rebellion brewing, but we don’t see that at all, except in strange little snippets of one character coming back to say, “Hey, remember that rebellion? We could use you!” and then disappearing for five chapters.

All we get is Anna obsessing over boys. And while that’s not inherently a problem, it becomes one when it hinders the progression and pace of the story. Not to mention that her cousin kisses her (and is a major creep about it) and Anna never addresses it again!

I couldn’t finish Blood Rose Rebellion no matter how hard I tried, and I just have other books I need to read that hopefully are much better than this one.

The Magician’s Workshop ★★☆☆☆

The-Magicians-WorkshopThe Magician’s Workshop started with an interesting concept: magic that can make illusions from one’s own imagination, a girl who wants to make beautiful things but can only make monsters, and a boy who wants to have fun but is an outcast in his own town. But it turned sour pretty quickly. I wanted to like The Magician’s Workshop, as it promised to be thrilling and fun, but my expectations just weren’t met.

Everyone in the islands of O’Ceea has a magical ability: whatever they imagine can be brought into existence. Whoever becomes a master over these powers is granted the title of magician and is given fame, power, riches, and glory. This volume of books follows the journey of a group of kids as they strive to rise to the top and become members of the Magician’s Workshop.

Layauna desperately wants to create beautiful things with her magical powers, but all she can seem to do is make horrible, savage monsters. For years she has tried to hide her creations, but when her power is at last discovered by a great magician, she realizes that what she’s tried to hide might actually be of tremendous value.

Kai just wants to use his powers to have fun and play with his friends. Unfortunately, nearly everyone on his island sees him as a bad influence, so he’s forced to meet them in secret. When one of the creatures they create gets out of control and starts flinging fireballs at their town, Kai is tempted to believe that he is as nefarious as people say. However, his prospects change when two mysterious visitors arrive, praising his ability and making extraordinary promises about his future.

Follow the adventures of Kai, Layauna, and a boatload of other characters as they struggle to grow up well in this fantastical world.

The Magician’s Workshop did not read like the first book in a series. It was littered with jargon, most of which was presented without context clues so you couldn’t even discern what most of it meant. I felt a bit like I should have known what was going on, but I was lost from the beginning.

We start the story with Layauna looking out a rainy window, then being called to join her family for magical storytime, where they image a story and it plays out in miniatures before them, sort of like a puppet show if the puppets were able to walk and talk on their own. It’s not a type of beginning that grabbed my attention. Layauna brooded and noted feeling like the oddball in her family, and I wasn’t interested until her magic turned the story from one about a knight and a princess and into one about a rampaging monster.

It’s an interesting character flaw, to only be able to make monsters, but the stakes aren’t quite there because we’re reminded that it’s all in her head and that the threat is imaginary.

The dialogue didn’t do much to keep me invested either; it was stilted and mainly expository. It did very little to build character besides someone saying, “Hey, remember that time we did this thing and this happened and we had to do this to fix it?”

Though the biggest reason I had to mark The Magician’s Workshop as a DNF was the characters’ age. For the first third of the book, I believed that Layauna, Kai and Kai’s friends were twelve, maybe thirteen if I stretch my disbelief. They interacted, reacted and behaved like children. That was a fact I was entirely able to accept. It felt right. But when one of Kai’s friends mentions how they’re seventeen and still haven’t achieved something a child is meant to achieve by sixteen, I was thrown right out of the story, firmly on my @$$ and I couldn’t fight my way back if I tried.

An entire chapter is dedicated to Kai and his friends playing make-believe with an illusion of King Kong. The way they acted and spoke had me firmly believing they were twelve or thirteen, maybe younger, because no sixteen or seventeen year old who is supposed to be entering adulthood and even the fantasy workforce/college that is the Magician’s Workshop, would be acting the way they did.

I could believe that Layauna was sixteen, with her slightly more mature outlook on life, but Kai’s desire to play with his friends in their make-believe worlds didn’t read as a teenager. The entire story read like it was either a mature middle-grade piece or wasn’t sure what teenagers are supposed to sound like.

Frankly, it dumbed down its teenagers, which are meant to be the target audience, and even though I haven’t been a teenager in years I was practically offended at this portrayal.

Having a child-like personality as a sixteen or seventeen year old is believable. But being a sixteen or seventeen year old and viewing and interacting with the world as if you were eleven and trying to market that character to me as a teenager is not. I wish I could say I’m going to finish The Magician’s Workshop, but I just can’t suspend my disbelief enough to make it through.

Scythe ★★☆☆☆

28954189Neal Shusterman’s Scythe is a tale of humans conquering death, and taking the matter of population control into the hands of the scythes, a group of men and women entrusted with the power of permanent death. I’ve always been a fan of Shusterman’s work–I loved his Unwind series and Everlost–but Scythe was lacking something I desperately needed in a book, which ultimately turned me away from this series.

Thou shalt kill.

A world with no hunger, no disease, no war, no misery. Humanity has conquered all those things, and has even conquered death. Now scythes are the only ones who can end life—and they are commanded to do so, in order to keep the size of the population under control.

Citra and Rowan are chosen to apprentice to a scythe—a role that neither wants. These teens must master the “art” of taking life, knowing that the consequence of failure could mean losing their own.

Citra and Rowan are both present when a scythe comes to call for someone they know, and through that they’re both brought on as that scythe’s apprentices. They then learn the art of killing, and are privy to more knowledge and information than they ever have before.

But as their apprenticeship is a rather unconventional one, it comes with a stipulation: only one will receive their hood and scythe and as their first act within the scythedom they must kill their peer. This is, obviously, a problem as both Citra and Rowan start to fall for the other, despite strict rules that they can’t.

There’s a lot of time spent on building the world of this book, to the point where it was practically pure exposition in every chapter. I didn’t feel connected enough to either character because we very rarely get to see them in action, and only see them as shadows and students.

Shusterman has a great track record of incredibly complex and deep characters that are easy to relate to, but that seemed to have been lost in Scythe. The book was borderline boring to the point where I felt I had to force myself to finish–“Just one more page, and I’ll be that much closer to the end”–in order to justify buying the book.

I hope that Shusterman’s future works have their old spark back, and in which case I will very happily return to his world of words.

Freeks ★★★★☆

28220899Magic abilities, a traveling performance troupe and a monstrous secret that could kill everyone sounds like the perfect recipe for a great story. That’s exactly what Amanda Hocking’s Freeks delivers!

Welcome to Gideon Davorin’s Traveling Sideshow, where necromancy, magical visions, and pyrokinesis are more than just part of the act…

Mara has always longed for a normal life in a normal town where no one has the ability to levitate or predict the future. Instead, she roams from place to place, cleaning the tiger cage while her friends perform supernatural feats every night.

When the struggling sideshow is miraculously offered the money they need if they set up camp in Caudry, Louisiana, Mara meets local-boy Gabe…and a normal life has never been more appealing.

But before long, performers begin disappearing and bodes are found mauled by an invisible beast. Mara realizes that there’s a sinister presence lurking in the town with its sights set on getting rid of the sideshow freeks. In order to unravel the truth before the attacker kills everyone Mara holds dear, she has seven days to take control of a power she didn’t know she was capable of—one that could change her future forever.

Mara is a no-nonsense type of girl; someone who gets the job done and makes sure everything is running smoothly. Which, when it comes to their magical band of performers, doesn’t always happen. Gideon Davorin’s Traveling Sideshow is often the source of ridicule for their strange and often freakish acts, but they always manage to draw a crowd.

Caudry is a small town in Louisiana and when Gideon’s troupe arrives, things seem to start bad and get worse. When members of the troupe start to get attacked by a mysterious creature, it takes everything within Mara and her family to not turn tail and run. Mara struggles with staying to settle down for a normal life with town hottie Gabe and sticking to her family and helping to uncover who–or what–is killing them.

A slow start that goes from 0 to 100 in 3.5 seconds when the first attack happens to one of Mara’s childhood friends, Freeks will consume you and your entire afternoon. Once I got to the meaty bits of the plot, I didn’t want to put the book down at all. Mara’s internal struggle and desire for a normal life was enough to carry me through the first few chapters, because I cared about Mara.

Hocking does a fantastic job about painting these characters and showing you their best and worst parts all at once. I wanted Mara to find her gift and a place within the troupe other than roadie. I wanted her to fall in love and lead a normal life (though, I mainly wanted her to fall in love with Gabe’s sister Selena, and not Gabe himself, but that’s just me).

Freeks had a great voice; Mara’s unique perspective and choice of snappy comebacks left me giggling and really enjoying the story even more. If you’re already a fan of Amanda Hocking’s work, this is a great addition to your library. If you love paranormal oddities and thrilling mysteries with a sprinkle of romance, Freeks ought to find its way onto your TBR list.

 

Freeks publishes January 3rd, 2017.

Amanda Hocking is doing a blog tour with us starting January 2, 2017! Check out the first chapter here and the fifth chapter here, the giveaway here, and her Q&A interview here!

Author’s Website
Amazon . B&N . Goodreads

Truthwitch ★★★★★

21414439Can someone love a book more than I loved Truthwitch by Susan Dennard? Can anyone love anything more than I loved that book? Probably not. I loved Truthwitch (and Susan Dennard. I nearly cried when I saw her in the hallway at BookCon Chigaco) so much.

In a continent on the edge of war, two witches hold its fate in their hands.

Young witches Safiya and Iseult have a habit of finding trouble. After clashing with a powerful Guildmaster and his ruthless Bloodwitch bodyguard, the friends are forced to flee their home.

Safi must avoid capture at all costs as she’s a rare Truthwitch, able to discern truth from lies. Many would kill for her magic, so Safi must keep it hidden – lest she be used in the struggle between empires. And Iseult’s true powers are hidden even from herself.

In a chance encounter at Court, Safi meets Prince Merik and makes him a reluctant ally. However, his help may not slow down the Bloodwitch now hot on the girls’ heels. All Safi and Iseult want is their freedom, but danger lies ahead. With war coming, treaties breaking and a magical contagion sweeping the land, the friends will have to fight emperors and mercenaries alike. For some will stop at nothing to get their hands on a Truthwitch.

-Goodreads

I just need to sit here for a moment to revel in my love for this story. Just give me a minute….

Okay, I’m ready to tell you how great this story was. Two kickass girls from different backgrounds trying to survive in a magic world with immense and sought-after powers, with a deep power budding inside both of them, the world may never be the same after coming to face them.

This was the first fantasy book I listened to on Audible and while the voice acting may have played a great role in my incredible love for this book (Cassandra Campbell was awesome) that when I finished listening, I immediately ordered a physical copy. I needed to hold this book in my hands so badly that I actually went out and bought a physical copy. I bought Truthwitch twice. That’s how much I loved it.

The characters are so well flushed out and the quiet undertones of love that followed the whole story (seriously, just kiss him Safi!) made for a perfect balance of action and plot and characters. There were so many times I just screamed out loud to Truthwitch; in frustration, in horror, in tense anticipation, you name it. I didn’t want to get out of my car just so I could keep listening.

The only bad thing about Truthwitch is that it ended. That’s it. There was a back cover. Thankfully, it’s sequel, Windwitch, should be out soon.

Susan Dennard

Barnes & Nobles . Amazon