The Magician’s Workshop started with an interesting concept: magic that can make illusions from one’s own imagination, a girl who wants to make beautiful things but can only make monsters, and a boy who wants to have fun but is an outcast in his own town. But it turned sour pretty quickly. I wanted to like The Magician’s Workshop, as it promised to be thrilling and fun, but my expectations just weren’t met.

Everyone in the islands of O’Ceea has a magical ability: whatever they imagine can be brought into existence. Whoever becomes a master over these powers is granted the title of magician and is given fame, power, riches, and glory. This volume of books follows the journey of a group of kids as they strive to rise to the top and become members of the Magician’s Workshop.

Layauna desperately wants to create beautiful things with her magical powers, but all she can seem to do is make horrible, savage monsters. For years she has tried to hide her creations, but when her power is at last discovered by a great magician, she realizes that what she’s tried to hide might actually be of tremendous value.

Kai just wants to use his powers to have fun and play with his friends. Unfortunately, nearly everyone on his island sees him as a bad influence, so he’s forced to meet them in secret. When one of the creatures they create gets out of control and starts flinging fireballs at their town, Kai is tempted to believe that he is as nefarious as people say. However, his prospects change when two mysterious visitors arrive, praising his ability and making extraordinary promises about his future.

Follow the adventures of Kai, Layauna, and a boatload of other characters as they struggle to grow up well in this fantastical world.

The Magician’s Workshop did not read like the first book in a series. It was littered with jargon, most of which was presented without context clues so you couldn’t even discern what most of it meant. I felt a bit like I should have known what was going on, but I was lost from the beginning.

We start the story with Layauna looking out a rainy window, then being called to join her family for magical storytime, where they image a story and it plays out in miniatures before them, sort of like a puppet show if the puppets were able to walk and talk on their own. It’s not a type of beginning that grabbed my attention. Layauna brooded and noted feeling like the oddball in her family, and I wasn’t interested until her magic turned the story from one about a knight and a princess and into one about a rampaging monster.

It’s an interesting character flaw, to only be able to make monsters, but the stakes aren’t quite there because we’re reminded that it’s all in her head and that the threat is imaginary.

The dialogue didn’t do much to keep me invested either; it was stilted and mainly expository. It did very little to build character besides someone saying, “Hey, remember that time we did this thing and this happened and we had to do this to fix it?”

Though the biggest reason I had to mark The Magician’s Workshop as a DNF was the characters’ age. For the first third of the book, I believed that Layauna, Kai and Kai’s friends were twelve, maybe thirteen if I stretch my disbelief. They interacted, reacted and behaved like children. That was a fact I was entirely able to accept. It felt right. But when one of Kai’s friends mentions how they’re seventeen and still haven’t achieved something a child is meant to achieve by sixteen, I was thrown right out of the story, firmly on my @$$ and I couldn’t fight my way back if I tried.

An entire chapter is dedicated to Kai and his friends playing make-believe with an illusion of King Kong. The way they acted and spoke had me firmly believing they were twelve or thirteen, maybe younger, because no sixteen or seventeen year old who is supposed to be entering adulthood and even the fantasy workforce/college that is the Magician’s Workshop, would be acting the way they did.

I could believe that Layauna was sixteen, with her slightly more mature outlook on life, but Kai’s desire to play with his friends in their make-believe worlds didn’t read as a teenager. The entire story read like it was either a mature middle-grade piece or wasn’t sure what teenagers are supposed to sound like.

Frankly, it dumbed down its teenagers, which are meant to be the target audience, and even though I haven’t been a teenager in years I was practically offended at this portrayal.

Having a child-like personality as a sixteen or seventeen year old is believable. But being a sixteen or seventeen year old and viewing and interacting with the world as if you were eleven and trying to market that character to me as a teenager is not. I wish I could say I’m going to finish The Magician’s Workshop, but I just can’t suspend my disbelief enough to make it through.